Decolonising Approaches to Users and Audiences in the Global South

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This edited collection offers an unprecedented focus on decolonizing audience and user studies in the Global South, challenging essentialist discourses of media imperialism and technological determinism. This essential resource serves as a practical guide for decolonial approaches in media and communication studies.

This edited collection offers an unprecedented focus on decolonising audience and user studies in the global South, challenging essentialist discourses of media imperialism and technological determinism.

Including original essays and contemporary case studies spanning Africa, Middle East, Latin America, and Asia, this book provides a nuanced double critique of both local and West‑centric approaches, pushing back against historically extractive audience research logics that have marginalised global South perspectives. This volume emphasises the importance of everyday experiences and advocates for building bridges between emerging philosophical discourses of modernity, postmodernity, and digitality from the global South and diverse ways of being digital. By critiquing narrowly defined methodologies and recovering previously delegitimised experiences, this book reimagines audience research through new evidence, methods, and theories that centre previously discarded voices and contexts.

This essential resource serves both as a rallying call for epistemic justice and as a practical guide for decolonial approaches in media and communication studies. It will be invaluable for practitioners, activists, scholars, researchers, policymakers, and students across various disciplines, including anthropology, sociology, political science, psychology, Global South studies, media, communication, and cultural studies.

Obsah

1. Decolonising Approaches to Users and Audiences in the Global South: An Introduction 2. Post‑Colonial Media Studies in a Fractured World: A Dialogue with David Morley Part I:Decolonising Audiences in Africa 3. Redefining Digital Audience Research: Perspectives and Practices from the Global South 4. Decolonizing Digital Hegemonies: Reframing, Disrupting, and Occupying Online Spaces 5. A Decolonial Approach to a Nollywood Audience: Engaging with Cultural Self‑Awareness Part II:Decolonising Audiences in Asia 6. Localising Online TV: Japanese Broadcast Video‑on‑Demand Services and the Shaping of Online Viewing Practices 7. Decolonising Audience Research: Gender and Caste Politics in Indian Literature 8. An Oasis Medium in the 1980s: The Popularisation of Television in China and Its Social Implications 9. The Ambivalent Art of Living with Chinese Social Media: Digital Vulnerability and Practices of Self‑Care Part III:Decolonising Audiences in Latin America 10. Indigenous Communication in Mexico: Decolonizing through Self‑Representation 11. Ombudsman’s Office for Audiences in Latin America: An Analysis from a Decolonial Approach 12. Toward a Decolonization of Arab Audiences 13. Im(Possibilities) of Palestinian ‘Media Audiences’ in Times of Permanent War and Excessive Mediation 14. Aesthetic Experience and Performing Arts in the Arab Region: Towards a Decolonial Audience-Centred Perspective 15. Searching for the “Good Old Days” in “New Turkiye”: Nostalgia of the TRT Era