Work of Authorship

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What fresh perspectives can viewing copyright law through a humanities' looking glass bring to key notions of tomorrow's copyright law? What fresh perspectives can viewing copyright law through a humanities' looking glass bring to key notions of tomorrow's copyright law? Technological and economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, and the philosophy of art - have a great deal to offer if we wish to establish a more nuanced and useful conception of copyright and authorship. This volume brings together scholars from a range of disciplines to explore the challenges inherent in translating aesthetics and creativity studies to concepts of copyright, especially as longstanding approaches are troubled by the rise of the digital.

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Voices near and far, Romantic Authorship in Copyright Law and the Uses of Aesthetics, Creativity, autonomy, and personal touch: A critical appraisal of copyright law's originality test, Adapting the work, Authorship and Copyright: Reassessing the Challenge of the 'Digital', Authorship and communicative norms: implications for copyright law, Creativity and the sense of ownership: Collective authorship in theatre and popular music, professor, Changing authorship in the digital environment